Video production
that gets remembered.
Cinematic video, event coverage, social content, photography, and website creation for brands and organizations across New York and New Jersey.
Selected Team Experience
Selected experience includes projects completed by current Motion Mention team members, including work completed before Motion Mention was formed.
Our production network brings experience from projects involving government agencies, international organizations, established companies, consumer brands, and growing businesses. The organizations shown represent relevant experience contributed by people who currently work with Motion Mention, including experience completed before Motion Mention was formed.
Organization names and trademarks belong to their respective owners. Their inclusion describes relevant production experience and does not necessarily indicate a direct engagement with Motion Mention LLC or an endorsement of Motion Mention.
Selected work
What we produce
Video Production
Brand films, corporate video, interviews, and product content.
Event Coverage
Multi-camera video and photography for conferences, launches, galas, and events.
Social Content
Vertical-first content created for consistent publishing.
Photography
Event, campaign, product, and brand photography.
Website Creation
Cinematic, fast-loading websites built to showcase your brand, work, and content.
- Creative Direction
- Post Production
- PR and Communications Support
- Website Creation
Built around the project, not an agency template.
Motion Mention brings together the right creative and production team for each project — from focused interviews to events, campaigns, and ongoing content.
One Point of Contact
A single production lead runs the project from first call to final delivery.
Project-Specific Crews
Crew, equipment, and roles are matched to what the project actually needs.
End-to-End Production
Concept, shoot, and post handled together so the direction holds throughout.
Clear Planning
We define the production scope, deliverables, schedule, and responsibilities before filming begins.
Project-Specific Crews
Crew size, equipment, and production roles are matched to the needs of the project.
Organized Communication
Clients receive a clear point of contact, schedule, and review process.
Flexible Deliverables
Projects can be prepared for websites, presentations, social platforms, paid campaigns, and internal communications.
How a project runs
Experience across
- Government & Organizations
- Corporate
- Consumer Brands
- Hospitality & Events
- Trade & Professional Organizations
- Food & Beverage
- Retail
- Manufacturing & Industrial
- Healthcare & Medical Technology
- Fashion & Lifestyle
- Education & Institutions
- Nonprofit
- Real Estate & Development
- Professional Services
Production notes
Photography or Video: When to Book Both in One Production
Combining photo and video in one production is often the efficient choice — but only when the schedule gives each discipline its own time.
What Actually Drives Video Production Cost in New York and New Jersey
Nobody can quote a video without knowing the scope. Here are the variables that actually move the number, so you can build a brief that gets a useful proposal.
How to Prepare Executives for a Corporate Interview Video
The difference between a stiff corporate interview and a compelling one is almost entirely preparation — and most of it happens before the camera is set up.
Frequently asked questions
- What does a project cost?
- Cost depends entirely on scope — shoot days, crew, locations, post-production complexity, and the number of deliverables. Send an outline of what you need and we respond with a specific proposal rather than a rate card.
- How long does production take?
- Timelines follow scope rather than a fixed schedule. The largest variables are shoot days, participant availability, post-production complexity, and how quickly your team can review each cut.
- Do you write scripts and creative concepts?
- Yes. We regularly develop the concept, treatment, script, and interview framework from a brief, and we are equally comfortable producing from material your team has already approved.
- Where do you work?
- We produce across New York and New Jersey, with team capability in Toronto. Projects further afield are considered when the scope justifies travel.
- Do you offer ongoing content programs?
- Yes. Batched production against a content plan is how short-form work stays viable at volume, and it is materially more efficient than commissioning pieces one at a time.
- Who owns the final footage?
- Ownership and usage rights are defined in each project agreement so there is no ambiguity about where the material can run or for how long.
- How do we start?
- Send a project inquiry with your objective, deliverables, and timeline. We normally respond within one business day with questions or a proposal.
- What information is needed for a video-production estimate?
- The most useful details are the project type, what the video is for, the filming location, a preferred shoot date, a desired completion date, and the deliverables you need. An approximate budget range helps us propose a realistic scope rather than a generic one.
- How far in advance should a shoot be booked?
- Two to four weeks is comfortable for a single-location interview or a small social shoot. Multi-location productions, event coverage with venue coordination, and projects requiring permits or building access benefit from four to eight weeks. Shorter lead times are sometimes possible with a narrower scope.
- How many deliverables can come from one production day?
- It depends on how the day is planned rather than on the length of the day. A single well-structured shoot day commonly yields one long-form piece plus several short cutdowns and a set of stills, provided the deliverables are defined before filming so the coverage is captured for each one.
- What affects video-production pricing?
- Shoot days, crew size, equipment packages, locations and travel, permits and insurance requirements, the number of finished deliverables, motion graphics, subtitling, and the number of review rounds. Scope changes after the edit begins are the most common cause of a change in cost.
- What should clients prepare before an executive interview?
- Confirm the speaker, the key messages, and the room in advance. A quiet space with soft furnishings, a scheduled block of uninterrupted time, wardrobe guidance that avoids tight patterns, and a short list of prepared questions shared with the speaker beforehand all improve the result.
- When is a multi-camera setup necessary?
- Multi-camera is appropriate for live programs, panels, and stage events that cannot be repeated, and for interviews where cutting between framings avoids visible jump cuts. A single camera is often the better choice for controlled, repeatable setups.
- Can video and photography be completed during the same production?
- Yes, and it is often the efficient choice. It works when the schedule gives each discipline dedicated time rather than assuming both can run simultaneously in the same frame.
- What building-access and insurance requirements commonly affect New York shoots?
- Many New York buildings require a certificate of insurance naming the building and management company, advance notice for loading dock or freight elevator use, and a scheduled access window. Public-space filming may require a city permit. These are typically arranged in advance of the shoot date.
Have a project in mind?
Tell us what you're creating. We'll review the scope and respond within one business day.